{"id":6527,"date":"2026-09-24T10:43:55","date_gmt":"2026-09-24T09:43:55","guid":{"rendered":"https:\/\/www.raby.co.uk\/raby-castle\/?page_id=6527"},"modified":"2026-09-24T10:46:14","modified_gmt":"2026-09-24T09:46:14","slug":"collections","status":"publish","type":"page","link":"https:\/\/www.raby.co.uk\/raby-castle\/discover\/collections\/","title":{"rendered":"Collections Highlights"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]At Raby Castle we care for a range of historic collections, many of which are of national significance.\u00a0Collected by members of the Vane family for at least four centuries, the collections reflect the lives of the people who have lived and\u00a0worked here,\u00a0individual tastes and interests,\u00a0and connections of the people who have called the castle \u2018home\u2019.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0From paintings to porcelain, furniture to archives, explore some of our collection highlights below and find out more about how we look after these historic treasures.\u00a0<\/span>\u00a0<\/span><\/p>\n

For more information about accessing our archives.\u00a0<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]<\/p>\n

Art<\/h3>\n

Raby\u2019s paintings, drawings, prints and miniatures\u00a0include outstanding collections of sporting art, Old Master pictures, portraits and topographical works with long-standing associations with the castle.\u00a0These are complemented by a sculpture collection\u00a0assembled largely by the 2nd Duke of Cleveland during the mid-nineteenth century.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Collection of Family Portraits in the Barons’ Hall<\/span><\/b>\u00a0<\/span><\/p>\n

The castle’s largest room\u00a0is home to an\u00a0extensive\u00a0collection\u00a0of\u00a0family\u00a0portraits.\u00a0These paintings depict generations of women and men\u00a0who have shaped\u00a0Raby’s\u00a0history,\u00a0and\u00a0reflect\u00a0centuries of changing fashions\u00a0and\u00a0artistic styles.<\/span>\u00a0<\/span><\/p>\n

Spanning from the 1600s to the present day, the collection includes works\u00a0by\u00a0Reynolds, Lely\u00a0and Soest\u00a0amongst others. The earliest is a posthumous portrait of Charles Neville, 6<\/span>th<\/span>\u00a0Earl of Westmorland,\u00a0the last\u00a0member of the Neville family\u00a0to reside at Raby\u00a0Castle before it was\u00a0forfeited\u00a0to the crown\u00a0after the Rising of the North. The most recent portrait\u00a0depicts\u00a0the current Lord Barnard\u00a0in the ante-Library.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788530299632{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Barons-Hall.jpg?id=6528) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788530343657{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Teniers.png?id=6529) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]The\u00a0Artist\u00a0in his Studio<\/span><\/b>\u00a0<\/span><\/p>\n

David Teniers II\u00a0(1610-1690),\u00a0Oil on Canvas\u00a0<\/span><\/b>\u00a0<\/span><\/p>\n

This detailed\u00a0painting\u00a0is a favourite with visitors\u00a0and a perfect demonstration of\u00a0an artwork\u00a0where there is always something new to see.\u00a0<\/span>\u00a0<\/span><\/p>\n

It depicts\u00a0the artist\u00a0in\u00a0a\u00a0studio hung with\u00a0recognisable\u00a0pictures including Rubens’s ‘The Continence of Scipio’ and Van Dyck’s ‘Samson and\u00a0Delilah’.\u00a0\u00a0It is one of\u00a0a group of superb Old Master paintings purchased by\u00a0Henry,\u00a02nd Duke of Cleveland\u00a0in the mid-19<\/span>th<\/span>\u00a0century.<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Marcus Curtius leaping into the\u00a0gulf<\/span><\/b>\u00a0<\/span><\/p>\n

Luca Giordano,\u00a01634-1705<\/span><\/b>\u00a0<\/span><\/p>\n

According to legend, in 362 BC a deep chasm opened in\u00a0the centre of Rome\u00a0which\u00a0would\u00a0not close\u00a0until\u00a0Rome’s most valuable possession was thrown\u00a0inside.\u00a0Marcus\u00a0Curtius\u00a0became a legendary hero by\u00a0representing the value of the brave citizens of Rome\u00a0when\u00a0he\u00a0leaped\u00a0on horseback\u00a0into the gulf\u2026\u00a0which\u00a0immediately\u00a0closed behind him.<\/span>\u00a0<\/span><\/p>\n

This remarkable painting\u00a0by an Italian master\u00a0was purchased\u00a0by Lady Grace Vane in\u00a01750.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788530382015{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Giordano.png?id=6530) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788530407330{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Greek-Slave.jpg?id=6531) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]The Greek Slave<\/span><\/b>\u00a0<\/span><\/p>\n

Hiram Powers, 1844<\/span><\/b>\u00a0<\/span><\/p>\n

American\u00a0artist\u00a0Hiram Powers created this\u00a0sculpture, the first of six full-sized versions of\u00a0the subject.\u00a0It was exhibited\u00a0in the American Hall\u00a0in\u00a0the Great Exhibition in London in\u00a01851\u00a0where\u00a0it rapidly grew in fame as the\u00a0focal\u00a0point for\u00a0American\u00a0abolitionist protestors, becoming\u00a0a\u00a0meaningful\u00a0symbol for prominent abolitionists including Frederick Douglas who kept a miniature version in his study.\u00a0<\/span>\u00a0<\/span><\/p>\n

It was purchased by the 2<\/span>nd<\/span>\u00a0Duke of Cleveland eight years after being exhibited\u00a0and\u00a0remains a piece that\u00a0is\u00a0frequently studied by art historians for its many meanings.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Harnessed carriage ponies in the\u00a0stable yard\u00a0at\u00a0Raby Castle, 1824.\u00a0<\/span><\/b>\u00a0<\/span><\/p>\n

J.F. Herring (Sen.), 1785-1865<\/span><\/b>\u00a0<\/span><\/p>\n

This delightful\u00a0painting shows a\u00a0liveried\u00a0Coachman\u00a0leading the Countess of Darlington\u2019s\u00a0carriage ponies into\u00a0the\u00a0clearly recognisable\u00a0Coach\u00a0House\u00a0at Raby Castle.\u00a0The\u00a0Countess\u00a0was known for her beautiful ponies,\u00a0with one\u00a0visitor\u00a0writing in 1838\u00a0that they were \u201cthe most perfect things that ever bore the\u00a0form & semblance of a horse\u2026\u201d.\u00a0\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>Raby Castle displays an outstanding collection of equestrian and sporting paintings, reflecting the family\u2019s\u00a0long-standing\u00a0love of horses and outdoor pursuits.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788530458014{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Herring.png?id=6532) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]<\/p>\n

Ceramics<\/h3>\n

Raby\u2019s ceramics collection reflects centuries of collecting, bringing together an assemblage of\u00a0Asian\u00a0ceramics alongside a\u00a0significant range of European wares.\u00a0They illustrate the changing tastes, fashions and collecting interests, while showcasing a rich variety of techniques and decorative styles spanning cultures and centuries.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Model Pagodas<\/span><\/span><\/strong><\/p>\n

Porcelain<\/span><\/b>\u00a0<\/span><\/p>\n

Jingdezhen, Jiangxi province, China, circa 1803<\/span><\/b><\/p>\n

These porcelain pagodas are among the finest examples in Raby Castle\u2019s Chinese ceramics collection. Made in Jingdezhen for the export market, they were acquired by William Harry Vane, 3rd Earl of Darlington (later 1st Duke of Cleveland), a passionate collector of Chinese porcelain. The pair was brought to Britain by London dealer Robert Fogg\u00a0–\u00a0nicknamed \u201cthe Chinaman\u201d\u00a0–\u00a0and closely resembles a set purchased by the Prince Regent for the Royal Pavilion, now housed at Buckingham Palace.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

In the 18th and early 19th centuries, Chinese pagodas captivated European aristocrats, appearing on ceramics, textiles, and even in garden architecture. The Great Pagoda at Kew Gardens, built in 1762 for Princess Augusta, is a famous example. Chinoiserie became a fashionable style in elite homes, and Raby Castle was no exception. Though its Chinese Salon was replaced\u00a0by the\u00a0present\u00a0Dining Room\u00a0in\u00a0the mid-1800s, pagoda imagery remains throughout the castle\u00a0–\u00a0in books, furniture, ceramics, and decorative models\u00a0–\u00a0reflecting a lasting fascination with Chinese design.<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788863527317{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Raby-Castle-Library-Lounge-31.jpg?id=6554) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788863631812{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Meissen.jpg?id=6556) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]Pelican model<\/span><\/b>\u00a0<\/span><\/p>\n

Johann Joachim Kaendler, c. 1732<\/span><\/b>\u00a0<\/span><\/p>\n

While Raby holds a range of Meissen porcelain, from\u00a0tea bowls and saucers to vases and plates, the most recognisable\u00a0Meissen are the collection of five\u00a0large\u00a0bird figures.<\/span>\u00a0<\/span><\/p>\n

Created by Johann Joachim Kaendler and Johann Gottlieb Kirchner for Augustus the Strong\u2019s Japanese Palance in Dresden, these impressive sculptures date from the pioneering years of Meissen manufacture.\u00a0\u00a0Acquired by the 2<\/span>nd<\/span>\u00a0Duke of Cleveland in 1858, they\u00a0demonstrate the technical skill of European porcelain production in the 18<\/span>th<\/span>\u00a0century\u00a0given the difficulties in firing pieces of such a size.<\/span>\u00a0<\/span><\/p>\n

The pelican is the most\u00a0striking, modelled swallowing a fish with its\u2019 head turned back to rest on the body.\u00a0It was one of the first animals produced by\u00a0Kaendler\u00a0in 1732.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]S\u00e8vres Porcelain<\/span><\/b>\u00a0<\/span><\/p>\n

France, 18th\u201319th centuries<\/span><\/b>\u00a0<\/span><\/p>\n

Raby Castle holds a remarkable collection of S\u00e8vres porcelain, acquired by successive Earls of Darlington and Dukes of Cleveland. These pieces reflect their tastes and engagement with European artistic fashion.<\/span>\u00a0<\/span><\/p>\n

Founded in 1740 and relocated to S\u00e8vres near Versailles in 1756, the S\u00e8vres manufactory quickly became one of Europe\u2019s most prestigious porcelain producers. With royal patronage from King Louis XV and Madame de Pompadour, S\u00e8vres porcelain was celebrated for its technical innovation, including vibrant glazes like the iconic bleu de S\u00e8vres, and its exquisite hand-painted decoration and gilding – all of which can be seen at Raby Castle.<\/span>\u00a0<\/span><\/p>\n

[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788863682441{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Sevres.jpg?id=6558) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788863732524{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Copeland-Garrett.jpg?id=6559) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]Dinner service<\/span><\/b>\u00a0<\/span><\/p>\n

Copeland and Garrett, mid-19th century\u00a0<\/span><\/b><\/p>\n

In\u00a0the mid-19<\/span>th<\/span>\u00a0century, Raby Castle\u00a0regularly hosted visitors from family and friends to royalty and politicians. This\u00a0Copeland & Garrett white and gilt\u00a0porcelain\u00a0service\u00a0bears a\u00a0gilt\u00a0coat-of-arms and crowned monogram\u00a0and is designed to impress.<\/span>\u00a0<\/span><\/p>\n

Copeland & Garrett supplied tableware to the aristocracy and royalty alike. With such lavish hospitality, one can only imagine the culinary delights served on such fine dishes. One guest, visiting in 1838, describes how the dinner table was, \u201cresplendent with gold, & covered with all that wealth, taste and luxury could supply\u201d. <\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>But such lavish hospitality was not purely an expression of\u00a0wealth. At these tables networks and alliances were formed and built.\u00a0Politically and socially, the dining table was a place to exert influence and canvas support, with the\u00a0food served on these plates having a far more important role than merely satiating hunger.\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Minton<\/span>\u00a0dinner-plates<\/span><\/span>\u00a0<\/span><\/strong><\/p>\n

Another\u00a0highlight of Raby\u2019s ceramics collection it its range of Minton ware, which includes floral dessert plates, elegant cups and saucers, and an impressive pair of turquoise-glazed nautilus shells. One example can be seen in the Servant\u2019s Hall: a set of 36 dinner plates, each decorated with a unique arrangement of bird feathers.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>Founded in Stoke-on-Trent in 1793, Minton grew to become one of the most influential names in British ceramics. During the Victorian period, the company was renowned for its innovation in pottery, porcelain, tiles and decorative wares.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788863761127{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Minton.png?id=6560) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]<\/p>\n

Furniture<\/h3>\n

As Raby Castle changed from a medieval fortress to a luxurious family home, so furniture was purchased from some of Britain\u2019s finest makers to fill the family rooms. The collections include superb examples of 18<\/span><\/span>th<\/span><\/span>\u00a0and 19<\/span><\/span>th<\/span><\/span>\u00a0century decorative furniture which contrast perfectly with the functional furnishings of the spaces used by the Raby workforce.\u00a0<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Suite of furniture in the Octagon Drawing Room<\/span><\/b><\/p>\n

G.J. Morant, 19<\/span><\/b>th <\/span><\/b>century<\/span><\/b><\/p>\n

This suite of furniture was supplied by G. J. Morant, one of London\u2019s leading cabinet makers, upholsterers and decorators during the first half of the nineteenth century.\u00a0<\/span>\u00a0<\/span><\/p>\n

Morant was renowned for creating richly furnished interiors in which the furniture, decoration and architecture worked together as a unified scheme.\u00a0The coordination between the furniture and architectural elements of the\u00a0Octagon Drawing\u00a0Room suggest that Burn and Morant most likely corresponded with each other on this project to create a harmonious result for the Duke and Duchess.\u00a0The\u00a0suite of early Victorian giltwood seating, with the gilding, scrolling carved details\u00a0and damask upholstery\u00a0compliment\u00a0the room\u2019s silk wall coverings and curtains.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788864012674{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Morant.jpg?id=6562) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788864058925{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Lacquer.jpg?id=6563) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]Six-leaf\u00a0lacquered screen<\/span><\/b><\/p>\n

c.1700-1750<\/span><\/b><\/p>\n

A\u00a0Chinese lacquer screen\u00a0seen in the\u00a0Library, dating from the first half of the eighteenth century, showcases the\u00a0craftsmanship associated with lacquer production.<\/span>\u00a0<\/span><\/p>\n

Decorated in gold on a black lacquer ground,\u00a0the Chinese\u00a0miaojin\u00a0(painted gold) technique was inspired by original Japanese maki-e lacquerware. This style was produced in centres such as Guangzhou, a major centre for lacquer manufacture and export\u00a0to European collectors.<\/span>\u00a0<\/span><\/p>\n

\u00a0This object offers a glimpse into aspects of Chinese country life- one side depicts women and children engaged in leisure pursuits, such as boating, calligraphy and\u00a0traditional games, and the\u00a0reverse shows a hunting party travelling through a mountainous landscape.<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Morel and Hughes furniture<\/span><\/b>\u00a0<\/span><\/p>\n

19<\/span><\/b>th<\/span><\/b>\u00a0century<\/span><\/b><\/p>\n

Around 1815, Raby Castle undertook a significant programme of furnishing, purchasing a substantial quantity of pieces from the celebrated London firm Morel and Hughes. The company was amongst the most prestigious\u00a0cabinet-makers\u00a0and upholsterers of the Regency period, renowned for supplying furniture to royalty and the British aristocracy, including the Prince Regent, later King George IV.\u00a0<\/span>\u00a0<\/span><\/p>\n

Among the pieces attributed to Morel and Hughes at Raby are some striking calamander (or zebra wood) tables, and a suite of\u00a0giltwood and damask seat-furniture in the Gothic Revival style.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788864107616{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Morel-and-Hughes-scaled.jpg?id=6564) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788864143848{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Kitchen-furniture.jpg?id=6565) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]Kitchen suite<\/span><\/span>\u00a0<\/span><\/strong><\/p>\n

Raby\u2019s\u00a0medieval\u00a0kitchen dates from around 1360,\u00a0but the furniture and equipment\u00a0it contains span several centuries, reflecting the space\u2019s continuous use through to the 1950s. Connected to a fish yard, dairy,\u00a0storerooms\u00a0and sculleries, the kitchen formed part of a much larger complex dedicated to preparing food for the household and its guests.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>The 19<\/span>th<\/span>\u00a0century kitchen tables and chopping block, alongside the\u00a0longcase clock,\u00a0were later painted blue to match the room\u2019s distinctive interior. Unlike the more decorative furniture elsewhere in the castle, these robust working pieces were designed for daily use, and\u00a0still bear the marks\u00a0caused by the workforce preparing meals and banquets.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Louis XIV marquetry desk<\/span>\u00a0<\/span><\/span>\u00a0<\/span><\/strong><\/p>\n

This remarkable desk has been attributed to Aubertin Gaudron (active c1670-1700), who was a supplier of inlaid furniture to the royalty and aristocracy in France. It is a rare survivor of the famed flourishing of exquisite craftsmanship encouraged by Louis XIV (1643-1715) and his court at Versailles. The desk has continued to be used at Raby, with the inset leather replaced in the 1900s. Originally the different woods would have been vibrant colours, which have become much more subtle over time.<\/span>\u00a0<\/span><\/p>\n

Throughout the\u00a0castle\u00a0are\u00a0other\u00a0examples of\u00a0remarkable\u00a0inlaid\u00a0and\u00a0boulle work\u00a0furniture,\u00a0using\u00a0hardwoods,\u00a0metals,\u00a0tortoiseshell\u00a0and semi-precious stones.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788864205185{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/desk.jpg?id=6566) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]<\/p>\n

Archive\u00a0<\/span><\/span>\u00a0<\/span><\/h3>\n

Raby’s Archives comprise almost 1km of material (if the boxes were placed side-by-side)\u00a0and span the 12<\/span>th<\/span>\u00a0to the 21<\/span>st<\/span>\u00a0centuries. Our records document the history of the Castle and Raby estates, both present and past, and cover parts of the country which have belonged to the Vane family over that time.\u00a0<\/span>\u00a0<\/span><\/p>\n

Many collections capture personal stories from Vane family members and estate staff, providing us with an understanding of lived experiences at Raby.\u00a0These highlights come from some of the most important parts of the\u00a0Archive, and\u00a0are selected to represent very rich and varied collections.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]These proposals\u00a0for the interior of Raby’s ‘High Hall’ (Barons’ Hall today) were drawn by James Gibbs (1682-1754), perhaps in the late 1720s. These were never\u00a0implemented, but\u00a0come from the very beginning of Raby’s restoration in the early Georgian era, starting the process of the Castle becoming the historic home seen today.\u00a0<\/span>\u00a0<\/span><\/p>\n

These plans are among the earliest from Raby’s\u00a0nationally-important\u00a0collection of architectural plans. The\u00a0collection\u00a0includes\u00a0drawings by other noted architects who have worked on the Castle and estate in past centuries, including Daniel Garrett (d.1753), James\u00a0Paine (1717-1789), John Carr of York (1723-1807), and William Burn (1789-1870).<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788865614777{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/1.-MR-1076_9ab-Gibbs-plans-scaled.jpg?id=6571) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788865652132{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/2.-Dixon1-MR-823_6-COMBINE-WITH-NEXT-PICTURE-scaled.jpg?id=6572) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]This pair of plans \u2013 to draw and survey Raby’s park, gardens and woodlands \u2013 is by noted County Durham cartographer and astronomer Jeremiah Dixon (1733-1779). Dixon’s project documented the developing landscape of the area whilst also supporting the land management of the cultivated farmlands and managed woods. These are the earliest known plans by Dixon to survive anywhere, and pre-date his better-known work on the Mason-Dixon Line in the USA.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>The maps collection in Raby’s archive is extensive, spanning the early 18<\/span>th<\/span>\u00a0to the early 21<\/span>st<\/span>\u00a0centuries and comprises thousands of individual items. These include plans of all types, from land surveys and landscaping, to transport and mining development, to land management and drainage.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]This object is among the most\u00a0important from\u00a0Raby’s medieval past;\u00a0no\u00a0other\u00a0records survive at Raby from the Neville\u00a0family who built\u00a0the castle\u00a0(whose papers\u00a0were recorded missing centuries ago).<\/span>\u00a0<\/span><\/p>\n

This inquisition\u00a0post mortem\u00a0(IPM)\u00a0lists the lands of\u00a0John de Neville, who\u00a0received the license to\u00a0crenellate\u00a0Raby in\u00a01378.\u00a0Written in Latin, an\u00a0IPM was an administrative document listing\u00a0lands\u00a0of an estate,\u00a0identifying the\u00a0heir to\u00a0each\u00a0part\u00a0on the\u00a0subject’s\u00a0death.\u00a0This\u00a0IPM\u00a0shows the extent of Neville lands\u00a0at that time,\u00a0indicating\u00a0their\u00a0power and status.\u00a0Interestingly, it also records lands held ‘by right of his wife’\u00a0Elizabeth, who\u00a0had\u00a0inherited\u00a0lands\u00a0and title\u00a0(Baroness Latimer)\u00a0in her own right.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788530382015{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Giordano.png?id=6530) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788865724871{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/4.-1776-Pedigree-MR-1403-COMBINE-WITH-NEXT-PICTURE-scaled.jpg?id=6573) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]This beautifully\u00a0illuminated pedigree of the Vane & Fane families was commissioned from the College of Arms by William, 2<\/span>nd<\/span>\u00a0Viscount Vane of\u00a0Fairlawne\u00a0(1714-1789). Measuring over 3 metres in length, the roll visually emphasises the remarkable historic links of different branches of the Vane family, including important medieval royal connections\u00a0and also\u00a0those with the Nevilles of Raby.<\/span>\u00a0<\/span><\/p>\n

The scroll comes from the archives’ personal records and papers (almost exclusively from members of the main branch of the Vanes of Raby) from the early 18<\/span>th<\/span>\u00a0century onwards. These include remarkable correspondence collections, diaries, notes, legal and court papers, financial records and more recently photographs and scrapbooks.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]These remarkable entries in one of the household ledgers are not only the earliest surviving records of members of the staff at the\u00a0Castle, but\u00a0even include the servants’ own signatures and ‘marks’ (for those who didn’t know how to write) to receive wages.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>One footman has signed his name ‘Sipeo’, and elsewhere he is identified as ‘Scipio.’ This is thought to be the signature of a black servant. His name is probably a reference to the Roman general Scipio Africanus; black servants very often went by names from classical history or literature. He was paid the same as other footmen at the same time.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>The archives hold remarkable administrative records for the Castle and estates, which capture important histories for those who have lived and worked here over centuries. The 19<\/span>th<\/span>\u00a0century administrative records are particularly\u00a0extensive, and\u00a0constitute a\u00a0significant\u00a0record of one of the largest estates in the country at that time.<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788865769749{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/5.-Servants-Wages-MR-782-f.180-scaled.jpg?id=6574) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]<\/p>\n

Social History<\/h3>\n

Alongside the fine and decorative arts, the castle contains a collection of social history objects that tell the stories of the generations of people who have lived and worked at Raby. From items connected to domestic life and estate work to personal possessions and mementoes, these objects help to illuminate the people behind the castle\u2019s history.<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Raby\u2019s textile collection provides a unique insight into how those who lived and worked at the castle dressed, and ranges\u00a0from fascinating collections\u00a0of parasols, fans and shoes,\u00a0to sumptuous coronation robes, jockey silks and servant livery.<\/span>\u00a0<\/span><\/p>\n

This footman\u2019s\u00a0livery\u00a0is one of six found at Raby Castle, and represents the\u00a0ostentatiousness associated with the role, with personalised buttons and wonderfully fitted jackets. Footmen were employed to\u00a0attend the\u00a0family,\u00a0and\u00a0were said to be\u00a0chosen\u00a0for their\u00a0similar stature and build.\u00a0Footmen were just one of the roles\u00a0within the extensive workforce, employed care for the Vane family, castle and wider estate.\u00a0A visit to Raby will see the Housekeeper\u2019s Sitting Room, the Butler\u2019s Pantry and the Servant\u2019s Hall; all spaces representing the dedicated members of the workforce.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788866505840{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Footman.jpg?id=6576) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788866540138{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Carriage.jpg?id=6577) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]A visit to\u00a0Raby castle in the 19<\/span>th<\/span>\u00a0century\u00a0will have seen you travelling\u00a0with a\u00a0horse and carriage directly into the grand Entrance Hall.\u00a0This room was transformed to accommodate\u00a0large coaches and carriages\u00a0driving straight through to drop guests off\u00a0inside, and\u00a0reflects the\u00a0once important mode of transport.\u00a0<\/span>\u00a0<\/span><\/p>\n

The impressive State Coach is just one of the vehicles in Raby\u2019s collection, which span\u00a0from the larger travelling\u00a0chariots and State Coach,\u00a0to the more practical Governess cart\u00a0and\u00a0estate fire engines.\u00a0The State Coach was originally built\u00a0in the early 1800s for the Duke of Cleveland,\u00a0by Rigby & Robinson of Park Lane, London, and was more recently used by the 9<\/span>th<\/span>\u00a0Lord and Lady Barnard to attend the coronation of King Edward VII in 1902.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Stories of\u00a0Raby\u2019s military exploits span back as far as the influential Nevilles who lived here during the 14<\/span>th<\/span>-17<\/span>th<\/span>\u00a0centuries, notably John Neville, a Commander at\u00a0the Battle of Neville\u2019s Cross. The collection of arms and armour and military uniform\u00a0at Raby\u00a0encompass the later Vane family\u2019s roles, including\u00a0with\u00a0the Durham Militia and the Durham Light Infantry.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>This wheel trophy of thirty-eight Flintlock (Brown Bess) service muskets\u00a0was\u00a0believed to have been used by the Durham Militia, a local regiment originally raised in response to the French invasion threat during the Seven Years War. The Durham Militia was originally led by Henry Vane, 2<\/span>nd<\/span>\u00a0Earl of Darlington of Raby Castle.\u00a0The Durham Militia eventually\u00a0transformed into\u00a0reserve\u00a0battalions of the newly created Durham Light Infantry in 1881 and effectively represents the military\u00a0links between Raby and the region throughout the years.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>More recently, the\u00a0families of the 9<\/span>th<\/span>\u00a0and 10<\/span>th<\/span>\u00a0Lords Barnard participated in the First and Second World Wars, and Raby became home to billeted soldiers, Land Girls and a military vehicle depot.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788866592383{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Weapons.jpg?id=6578) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788866632170{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Weeks-Cabinet.jpg?id=6579) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]This mahogany cabinet is known as the Weeks Cabinet after Thomas Weeks (1743-1834), who installed a barrel organ in the lower cupboard at his Museum of Mechanical Curiosities in London\u00a0around\u00a01797.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>At the turn of the 19th-century, British fascination with all things mechanical grew, inspiring the incorporation of entertainment within pieces of furniture. It is likely the 3rd Countess of Darlington saw a similar cabinet with a barrel organ in Weeks\u2019 Museum and was inspired to commission one for Raby.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>This was just one of the many ways\u00a0visitors to Raby were entertained-\u00a0the 1<\/span>st<\/span>\u00a0Duchess of Cleveland was known for her Museum of Natural History, the 4<\/span>th<\/span>\u00a0Duchess for encouraging visitors to contribute to the castle Visitor Books, and\u00a0the unique stone Minstrel\u2019s Gallery seen in the\u00a0Barons\u2019\u00a0Hall would have\u00a0housed musicians during grand\u00a0banquets.<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]A visit to Raby\u2019s impressive\u00a0medieval Kitchen\u00a0is\u00a0illuminated\u00a0by\u00a0our collection of over one hundred copper\u00a0moulds, many bearing the monogram of the Dukes of Cleveland.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>From jellies\u00a0and\u00a0puddings\u00a0to\u00a0savoury mousses,\u00a0fine dining during the heyday of the Dukes of Cleveland involved courses of intricately shaped foods, made with care by\u00a0a large kitchen workforce.\u00a0These moulds were transported\u00a0with the family down to their London residence to ensure fancy feasts could be hosted all year round.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>The castle\u2019s collection also includes historical receipt books, which first began to circulate widely in the 19<\/span>th<\/span>\u00a0century.\u00a0In these, family members would record recipes passed along through friends or family.\u00a0Dining at Raby was an estate wide responsibility, where food grown in the Walled Gardens\u00a0was\u00a0passed to the kitchens to be made into\u00a0impressive meals\u00a0shared\u00a0in the Dining Room.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788866668464{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Copper.jpg?id=6580) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]<\/p>\n

Caring for our collections\u00a0<\/span><\/span>\u00a0<\/span><\/h3>\n

Caring for Raby\u2019s collections is an ongoing responsibility. Our team works to preserve the castle\u2019s historic interiors and diverse collection of objects through careful preventative and remedial conservation, ensuring they can be enjoyed by future generations.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>This work involves monitoring environmental conditions, carrying out routine collections care and cleaning, and working closely with specialist conservators and experts to safeguard the long-term condition of the collections.<\/span>\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Historic Mends<\/span><\/span>\u00a0<\/span><\/strong><\/p>\n

Over time\u00a0and through use, objects\u00a0can become damaged\u00a0and deteriorate. The objects in Raby\u2019s collection have\u00a0been well cared for throughout the generations,\u00a0with\u00a0several\u00a0ceramics\u00a0receiving treatment for\u00a0breaks\u00a0including\u00a0adhesion,\u00a0staples\u00a0and\u00a0fills.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>Historic mends and repairs can become unstable over time.\u00a0Historic adhesives\u00a0are particularly\u00a0vulnerable to aging\u00a0\u2013 where they are used to repair\u00a0ceramics\u00a0they\u00a0may lose\u00a0strength\u00a0as well as become\u00a0discoloured, putting the ceramic at risk of\u00a0further damage.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>The ceramics in\u00a0Raby\u2019s collection are regularly checked for their condition and\u00a0prioritised\u00a0for conservation treatment\u00a0as required. This\u00a0may involve\u00a0examining\u00a0and analysing a historic mend and, in\u00a0discussion\u00a0with the family and\u00a0Curator, deciding on a suitable course of action\u00a0to stabilise the item.\u00a0All\u00a0stages\u00a0of the process\u00a0are documented to\u00a0provide a record of\u00a0the\u00a0object\u2019s history.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788964838103{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Historic-mend_2-scaled.jpeg?id=6583) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788964885724{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Davina_carriage.jpg?id=6584) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

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[vc_column_text css=””]Carriages<\/span><\/span>\u00a0<\/span><\/span><\/span><\/strong><\/p>\n

In<\/span>\u00a0202<\/span>3, con<\/span>servation\u00a0<\/span>work was un<\/span>dertaken<\/span>\u00a0on the\u00a0<\/span>Travel<\/span>ling Char<\/span>iot<\/span>,\u00a0<\/span>made by Coates Blizzard, Park Lane, London<\/span>.<\/span>\u00a0<\/span>T<\/span>he Cha<\/span>riot<\/span>, bui<\/span>lt in<\/span>\u00a0the late 18<\/span><\/span>th<\/span><\/span>\u00a0Century<\/span>,<\/span>\u00a0<\/span>was<\/span>\u00a0<\/span>showing si<\/span>gns\u00a0<\/span>of wear<\/span>\u00a0and\u00a0<\/span>tear consis<\/span>tent with its\u00a0<\/span>age<\/span>.\u00a0<\/span>O<\/span>ver a per<\/span>iod of se<\/span>veral month<\/span>s,\u00a0<\/span>corrosion<\/span>\u00a0produc<\/span>ts were r<\/span>emoved f<\/span>rom iron<\/span>\u00a0all<\/span>oy fixing<\/span>s,\u00a0<\/span>tex<\/span>tile<\/span>s on the i<\/span>nterior and<\/span>\u00a0exterio<\/span>r wer<\/span>e carefull<\/span>y vacu<\/span>umed\u00a0<\/span>and\u00a0<\/span>areas of\u00a0<\/span>miss<\/span>ing paint<\/span>\u00a0work\u00a0<\/span>were<\/span>\u00a0<\/span>colou<\/span>r ma<\/span>tched and\u00a0<\/span>in<\/span>–<\/span>pa<\/span>inted<\/span>.\u00a0<\/span>De<\/span>tails of\u00a0<\/span>the\u00a0<\/span>c<\/span>ondit<\/span>ion prio<\/span>r and post\u00a0<\/span>conservation\u00a0<\/span>work w<\/span>ere docum<\/span>ented\u00a0<\/span>with\u00a0<\/span>photograp<\/span>hs and\u00a0<\/span>written\u00a0<\/span>documentation to guide<\/span>\u00a0future<\/span>\u00a0understa<\/span>nd<\/span>ing o<\/span>f\u00a0<\/span>the\u00a0<\/span>obje<\/span>ct.\u00a0<\/span><\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Octagon Drawing Room<\/span><\/span>\u00a0<\/span><\/strong><\/p>\n

The\u00a0Octagon Drawing Room\u00a0is a real highlight of a visit to Raby.\u00a0Modelled\u00a0by Robert Burn\u00a0in 1848, the room\u00a0and\u00a0many of its contents were\u00a0subject\u00a0to\u00a0a restoration programme in the\u00a01990s.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>The wall panels\u00a0and\u00a0textiles\u00a0in this room are vulnerable to the effects of light\u00a0\u2013\u00a0to reduce exposure, UV filters are fitted on the window\u00a0glass and\u00a0light diffusing blinds fitted to the interior.\u00a0Light readings are regularly taken\u00a0to\u00a0monitor\u00a0the\u00a0light\u00a0reaching the\u00a0textiles and\u00a0indicate\u00a0if\u00a0further action is required.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788964961026{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/ODR.jpg?id=6585) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788965121845{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Kitchen.jpg?id=6587) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]

\t\t
[vc_column_text css=””]Medieval Kitchen<\/span><\/span> \u00a0<\/span><\/span><\/span><\/strong><\/p>\n

Each winter<\/span>,<\/span>\u00a0<\/span>ma<\/span>n<\/span>y of the Raby volunteers come together to assist the\u00a0<\/span>conservation cleaning of the copper in the kitchen. From\u00a0<\/span>large cooking pots and pans to\u00a0<\/span>small butter moulds, each item is dusted<\/span>, cleaned with conservation grade products and buffed<\/span>\u00a0before being returned to display. Care is taken to remove cleaning products from fine<\/span>ly engraved details and document any changes in condition from previous\u00a0<\/span>clean<\/span>ing.\u00a0<\/span><\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Wicker garde<\/span>n\u00a0<\/span>furniture<\/span><\/span>\u00a0<\/span><\/span><\/span><\/strong><\/p>\n

Wicker is a popular material for garden furniture<\/span>, often\u00a0<\/span>woven into\u00a0<\/span>interesting designs and patterns<\/span>.\u00a0<\/span>In 2025, 2 items of wicker were conserved for display<\/span>;<\/span>\u00a0a chair and lounger. Both required\u00a0<\/span>careful cleaning to remove adhered dirt and debris without damaging fragile joins.\u00a0<\/span>Both items suffered from losses in<\/span>\u00a0several places \u2013 as the items are not intended for\u00a0<\/span>use, archival card was used to cut strips<\/span>, adhered to existing wickerwork and woven to\u00a0<\/span>secure and stabilise damaged areas<\/span>\u00a0as well as provide visual continuity<\/span>.<\/span><\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788965175007{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Wicker.jpg?id=6588) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″ css=”.vc_custom_1788866668464{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Copper.jpg?id=6580) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″]

\t\t
[vc_column_text css=””]Partnerships<\/span><\/span>\u00a0<\/span><\/strong><\/p>\n

We are delighted to have an established relationship with the Conservation of Archaeological and Museum Objects MSc at Durham University.\u00a0Objects are selected to support students with their knowledge and skill acquisition, with students\u00a0conducting treatments on a range of materials.<\/span>\u00a0<\/span><\/p>\n

\u00a0<\/span>Examples of such projects include\u00a0the conservation of a plaster bust of the Duke of Wellington,\u00a0repairing\u00a0damaged porcelain items and\u00a0the treatment of\u00a0a\u00a0shoulder yoke, likely used by a milk maid.\u00a0Students have also contributed to\u00a0Christmas at Raby with the creation of artificial bon bons for display.\u00a0Students from the course are invited to Raby annually to\u00a0explore conservation and collections care at a historic house and\u00a0practice their collections care skills.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” container_width=”container larger” css=”.vc_custom_1548869308822{background-color: #ffffff !important;}”][vc_column][vc_row_inner][vc_column_inner width=”7\/12″ offset=”vc_col-lg-offset-1″][vc_column_text]<\/p>\n

Further reading<\/h3>\n

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Collection Highlights<\/h2>\r\n\t <\/div>\r\n\t
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The Raby Archive houses historic papers of the Vane family and their past estates and landholdings, with more recent business records of Raby Estates.<\/p>\r\n\t <\/div>\r\n\t<\/a>\r\n\t[\/vc_column_inner][vc_column_inner width=”1\/4″]\r\n\t\r\n\t

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Research Projects<\/h2>\r\n\t <\/div>\r\n\t
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Archives<\/h2>\r\n\t <\/div>\r\n\t
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<\/p>\r\n\t <\/div>\r\n\t<\/a>\r\n\t[\/vc_column_inner][vc_column_inner width=”1\/4″]\r\n\t\r\n\t

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Events<\/h2>\r\n\t <\/div>\r\n\t
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<\/p>\r\n\t <\/div>\r\n\t<\/a>\r\n\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]At Raby Castle we care for a range of historic collections, many of which are of national significance.\u00a0Collected by members of the Vane family for at least four centuries, the collections reflect the lives of the people who have lived and\u00a0worked here,\u00a0individual tastes and interests,\u00a0and connections of the people who have called the castle […]<\/p>\n","protected":false},"author":2,"featured_media":1946,"parent":48,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-6527","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nThe History of Raby Castle | One of England's Finest Castles, Co. Durham<\/title>\n<meta name=\"description\" content=\"Discover the rich history of Raby Castle, which was originally built as a Viking settlement of King Cnut, known as \u2018Rabi\u2019 in the 11th century.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.raby.co.uk\/raby-castle\/discover\/collections\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The History of Raby Castle | One of England's Finest Castles, Co. 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