Model Pagodas<\/span><\/span><\/strong><\/p>\nPorcelain<\/span><\/b>\u00a0<\/span><\/p>\nJingdezhen, Jiangxi province, China, circa 1803<\/span><\/b><\/p>\nThese porcelain pagodas are among the finest examples in Raby Castle\u2019s Chinese ceramics collection. Made in Jingdezhen for the export market, they were acquired by William Harry Vane, 3rd Earl of Darlington (later 1st Duke of Cleveland), a passionate collector of Chinese porcelain. The pair was brought to Britain by London dealer Robert Fogg\u00a0–\u00a0nicknamed \u201cthe Chinaman\u201d\u00a0–\u00a0and closely resembles a set purchased by the Prince Regent for the Royal Pavilion, now housed at Buckingham Palace.<\/span>\u00a0<\/span><\/p>\n\u00a0<\/span><\/p>\nIn the 18th and early 19th centuries, Chinese pagodas captivated European aristocrats, appearing on ceramics, textiles, and even in garden architecture. The Great Pagoda at Kew Gardens, built in 1762 for Princess Augusta, is a famous example. Chinoiserie became a fashionable style in elite homes, and Raby Castle was no exception. Though its Chinese Salon was replaced\u00a0by the\u00a0present\u00a0Dining Room\u00a0in\u00a0the mid-1800s, pagoda imagery remains throughout the castle\u00a0–\u00a0in books, furniture, ceramics, and decorative models\u00a0–\u00a0reflecting a lasting fascination with Chinese design.<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788863527317{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Raby-Castle-Library-Lounge-31.jpg?id=6554) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788863631812{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Meissen.jpg?id=6556) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]\t\t
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Pelican model<\/span><\/b>\u00a0<\/span><\/p>\nJohann Joachim Kaendler, c. 1732<\/span><\/b>\u00a0<\/span><\/p>\nWhile Raby holds a range of Meissen porcelain, from\u00a0tea bowls and saucers to vases and plates, the most recognisable\u00a0Meissen are the collection of five\u00a0large\u00a0bird figures.<\/span>\u00a0<\/span><\/p>\nCreated by Johann Joachim Kaendler and Johann Gottlieb Kirchner for Augustus the Strong\u2019s Japanese Palance in Dresden, these impressive sculptures date from the pioneering years of Meissen manufacture.\u00a0\u00a0Acquired by the 2<\/span>nd<\/span>\u00a0Duke of Cleveland in 1858, they\u00a0demonstrate the technical skill of European porcelain production in the 18<\/span>th<\/span>\u00a0century\u00a0given the difficulties in firing pieces of such a size.<\/span>\u00a0<\/span><\/p>\nThe pelican is the most\u00a0striking, modelled swallowing a fish with its\u2019 head turned back to rest on the body.\u00a0It was one of the first animals produced by\u00a0Kaendler\u00a0in 1732.<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]\t\t
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S\u00e8vres Porcelain<\/span><\/b>\u00a0<\/span><\/p>\nFrance, 18th\u201319th centuries<\/span><\/b>\u00a0<\/span><\/p>\nRaby Castle holds a remarkable collection of S\u00e8vres porcelain, acquired by successive Earls of Darlington and Dukes of Cleveland. These pieces reflect their tastes and engagement with European artistic fashion.<\/span>\u00a0<\/span><\/p>\nFounded in 1740 and relocated to S\u00e8vres near Versailles in 1756, the S\u00e8vres manufactory quickly became one of Europe\u2019s most prestigious porcelain producers. With royal patronage from King Louis XV and Madame de Pompadour, S\u00e8vres porcelain was celebrated for its technical innovation, including vibrant glazes like the iconic bleu de S\u00e8vres, and its exquisite hand-painted decoration and gilding – all of which can be seen at Raby Castle.<\/span>\u00a0<\/span><\/p>\n[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788863682441{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Sevres.jpg?id=6558) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788863732524{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Copeland-Garrett.jpg?id=6559) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]
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Dinner service<\/span><\/b>\u00a0<\/span><\/p>\nCopeland and Garrett, mid-19th century\u00a0<\/span><\/b><\/p>\nIn\u00a0the mid-19<\/span>th<\/span>\u00a0century, Raby Castle\u00a0regularly hosted visitors from family and friends to royalty and politicians. This\u00a0Copeland & Garrett white and gilt\u00a0porcelain\u00a0service\u00a0bears a\u00a0gilt\u00a0coat-of-arms and crowned monogram\u00a0and is designed to impress.<\/span>\u00a0<\/span><\/p>\nCopeland & Garrett supplied tableware to the aristocracy and royalty alike. With such lavish hospitality, one can only imagine the culinary delights served on such fine dishes. One guest, visiting in 1838, describes how the dinner table was, \u201cresplendent with gold, & covered with all that wealth, taste and luxury could supply\u201d. <\/span>\u00a0<\/span><\/p>\n\u00a0<\/span>But such lavish hospitality was not purely an expression of\u00a0wealth. At these tables networks and alliances were formed and built.\u00a0Politically and socially, the dining table was a place to exert influence and canvas support, with the\u00a0food served on these plates having a far more important role than merely satiating hunger.\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]\t\t
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Minton<\/span>\u00a0dinner-plates<\/span><\/span>\u00a0<\/span><\/strong><\/p>\nAnother\u00a0highlight of Raby\u2019s ceramics collection it its range of Minton ware, which includes floral dessert plates, elegant cups and saucers, and an impressive pair of turquoise-glazed nautilus shells. One example can be seen in the Servant\u2019s Hall: a set of 36 dinner plates, each decorated with a unique arrangement of bird feathers.<\/span>\u00a0<\/span><\/p>\n\u00a0<\/span>Founded in Stoke-on-Trent in 1793, Minton grew to become one of the most influential names in British ceramics. During the Victorian period, the company was renowned for its innovation in pottery, porcelain, tiles and decorative wares.\u00a0<\/span>\u00a0<\/span><\/p>\n\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788863761127{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Minton.png?id=6560) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=””]<\/p>\nFurniture<\/h3>\n
As Raby Castle changed from a medieval fortress to a luxurious family home, so furniture was purchased from some of Britain\u2019s finest makers to fill the family rooms. The collections include superb examples of 18<\/span><\/span>th<\/span><\/span>\u00a0and 19<\/span><\/span>th<\/span><\/span>\u00a0century decorative furniture which contrast perfectly with the functional furnishings of the spaces used by the Raby workforce.\u00a0<\/span><\/span>\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]\t\t
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Suite of furniture in the Octagon Drawing Room<\/span><\/b><\/p>\nG.J. Morant, 19<\/span><\/b>th <\/span><\/b>century<\/span><\/b><\/p>\nThis suite of furniture was supplied by G. J. Morant, one of London\u2019s leading cabinet makers, upholsterers and decorators during the first half of the nineteenth century.\u00a0<\/span>\u00a0<\/span><\/p>\nMorant was renowned for creating richly furnished interiors in which the furniture, decoration and architecture worked together as a unified scheme.\u00a0The coordination between the furniture and architectural elements of the\u00a0Octagon Drawing\u00a0Room suggest that Burn and Morant most likely corresponded with each other on this project to create a harmonious result for the Duke and Duchess.\u00a0The\u00a0suite of early Victorian giltwood seating, with the gilding, scrolling carved details\u00a0and damask upholstery\u00a0compliment\u00a0the room\u2019s silk wall coverings and curtains.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788864012674{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Morant.jpg?id=6562) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788864058925{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Lacquer.jpg?id=6563) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]\t\t
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Six-leaf\u00a0lacquered screen<\/span><\/b><\/p>\nc.1700-1750<\/span><\/b><\/p>\nA\u00a0Chinese lacquer screen\u00a0seen in the\u00a0Library, dating from the first half of the eighteenth century, showcases the\u00a0craftsmanship associated with lacquer production.<\/span>\u00a0<\/span><\/p>\nDecorated in gold on a black lacquer ground,\u00a0the Chinese\u00a0miaojin\u00a0(painted gold) technique was inspired by original Japanese maki-e lacquerware. This style was produced in centres such as Guangzhou, a major centre for lacquer manufacture and export\u00a0to European collectors.<\/span>\u00a0<\/span><\/p>\n\u00a0This object offers a glimpse into aspects of Chinese country life- one side depicts women and children engaged in leisure pursuits, such as boating, calligraphy and\u00a0traditional games, and the\u00a0reverse shows a hunting party travelling through a mountainous landscape.<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680442327{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner width=”1\/2″]\t\t
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Morel and Hughes furniture<\/span><\/b>\u00a0<\/span><\/p>\n19<\/span><\/b>th<\/span><\/b>\u00a0century<\/span><\/b><\/p>\nAround 1815, Raby Castle undertook a significant programme of furnishing, purchasing a substantial quantity of pieces from the celebrated London firm Morel and Hughes. The company was amongst the most prestigious\u00a0cabinet-makers\u00a0and upholsterers of the Regency period, renowned for supplying furniture to royalty and the British aristocracy, including the Prince Regent, later King George IV.\u00a0<\/span>\u00a0<\/span><\/p>\nAmong the pieces attributed to Morel and Hughes at Raby are some striking calamander (or zebra wood) tables, and a suite of\u00a0giltwood and damask seat-furniture in the Gothic Revival style.\u00a0<\/span>\u00a0<\/span>[\/vc_column_text]\t\t<\/div><\/div>[\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1788864107616{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Morel-and-Hughes-scaled.jpg?id=6564) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=”yes” content_placement=”middle” css=”.vc_custom_1715680446828{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_column_inner el_class=”order-sm-2″ width=”1\/2″ css=”.vc_custom_1788864143848{background-image: url(https:\/\/www.raby.co.uk\/raby-castle\/wp-content\/uploads\/sites\/2\/2026\/09\/Kitchen-furniture.jpg?id=6565) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_empty_space height=”280px”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1715680402049{padding-top: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”]\t\t
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Kitchen suite<\/span><\/span>\u00a0<\/span><\/strong><\/p>\nRaby\u2019s\u00a0medieval\u00a0kitchen dates from around 1360,\u00a0but the furniture and equipment\u00a0it contains span several centuries, reflecting the space\u2019s continuous use through to the 1950s. Connected to a fish yard, dairy,\u00a0storerooms\u00a0and sculleries, the kitchen formed part of a much larger complex dedicated to preparing food for the household and its guests.<\/span>\u00a0<\/span><\/p>\n